Impossible Objects: Screen Prints by Ed Lister

MM Rainbow by Ed Lister

Impossible Objects: Screen Prints by Ed Lister March 13 – May 8, 2021 Architectural Foundation of Santa Barbara Gallery

The AFSB Art Gallery at the Architectural Foundation of Santa Barbara is pleased to announce the opening of Impossible Objects, an exhibition of vibrant, abstract silkscreen prints, or serigraphs, by Ed Lister.  

Ed Lister, known in Los Angeles and Santa Barbara as a skilled scenic artist, created this series of “impossible objects” in the early 1970s while teaching printmaking at the Chelsea School of Art in London.  After teaching art for twelve years, Lister moved to California.  Starting in the mid-70s he worked for ten years as the lead scenic artist for the Center Theatre Group at the Taper and Ahmanson Theaters in Los Angeles. Subsequently, he painted backdrops and installations as wide as 400 feet for TV, movies, and destination resorts, hotels, and casinos.  

More recently Lister was commissioned to paint a 60 feet-wide mural encircling the Bisno Schall Clock Gallery of the Santa Barbara Courthouse that depicts our perception of time and various ways of recording it (http://www.bisnoschallgallery.com).  Although he loved working on such a large scale, Lister now paints more modest-sized images concerned with iridescent and reflective seascapes and skies. 

Created fifty years ago, these striking, hand-pulled prints play with our contemporary sensibilities and logical brains in their resemblances to imaginative digital images. Of all the printing techniques, Lister most relished executing screened images with areas of pure color put down in a clean and direct manner.  In this series, he created improbable, mind-bending objects that cannot exist other than on a flat surface.  Intrigued by their bold colors and shapes, our eyes are lured in, then our assumptions of reality are challenged.

The Architectural Foundation of Santa Barbara has been dedicated to expanding our community’s appreciation of the built environment since 1983. The AFSB Gallery is located in the historic Acheson House at the corner of Garden and East Victoria Streets in Santa Barbara. Regular gallery hours are Saturdays from 1:00 to 4:00 pm and weekdays by appointment.

A Summer Lecture Series: The Architecture of India

A Summer Lecture Series: The Architecture of India

By Dr. Allan Langdale

Thursdays, Via Zoom.
June 17 - August 19, from 6:45 - 8:00 PM

$10/lecture or $80 for all

This lecture series focuses on several monuments and architectural complexes in India, surveying the Buddhist, Hindu, and Islamic traditions of the sub-continent. The material will be presented in chronological order, spanning dates from the 2nd century BCE to the sixteenth century.

Read more about each individual lecture on our Events Page.


 

Allan Langdale has had seasons of powerful lectures with the Architectural Foundation of Santa Barbara, including several sold-out lectures. He has his PhD in art history from UCSB and currently teaches at UC Santa Cruz. He also works in the tourism industry for Smithsonian Journeys and Zegrahm Expeditions, doing about a dozen trips a year. Allan is the author of several articles and books, including Palermo: Travels in the City of Happiness (2014) and The Hippodrome of Istanbul / Constantinople (2020). His travel blog can be found at ‘Allan’s Art and Architecture Worlds’: https://allansartworlds.sites.ucsc.edu/

Beauty Out Of Ashes by Sophia Beccue

Beauty Out Of Ashes by Sophia Beccue

May 15 – July 8, 2021
Architectural Foundation of Santa Barbara Gallery

The Architectural Foundation of Santa Barbara is pleased to announce Beauty Out of Ashes, an exhibition of vibrant, abstract paintings by Sophia Beccue. Visitors are invited to view the exhibition on Saturdays, from 1:00 to 4:00 pm, and weekdays by appointment, May 15th through July 8th. The artist will be present on May 15 and July 3. (Self-screening, masks, and social distancing are required.)

During the past two years, while living through cancer and a global pandemic, Sophia Beccue came to grasp the deeper meaning of beauty, beauty born out of the dark times, experienced personally and collectively.

In December 2018, Beccue was diagnosed with stage 4 lung cancer; in 2019, she went into partial remission and long-term treatment. After wrestling through the meaning of life and death, and finding peace through her faith, she was better equipped to face the pandemic and her husband’s diagnosis of cancer. She discovered not only beauty in the darkness, but strength in the midst of weakness and brokenness.

Her paintings are predominantly abstract, done in watercolor and acrylics on paper and wood panels. The emotion-packed journey through cancer inspired Beccue to put her heart into her work with a calm spirit. Her dynamic compositions, suffused with color, movement and texture, capture deep valleys as well as sunshine with authenticity.

Born in Taiwan, Beccue immigrated to the U.S. in her teens and currently lives in Santa Barbara. She studied graphic design at San Diego State University and illustration at the Academy of Art in San Francisco. She worked as a graphic designer and illustrator, and now focuses on fine art painting. A member of the Santa Barbara Art Association, the Abstract Art Collective, and the Art Council of the Westmont-Ridley Tree Museum of Art, she has won numerous awards and has had solo and group exhibitions. Her art has been collected internationally.

The Architectural Foundation of Santa Barbara has been dedicated to expanding our community’s appreciation of the built environment since 1983. The AFSB Gallery is located in the historic Acheson House at the corner of Garden and East Victoria Streets in Santa Barbara. Regular gallery hours are Saturdays from 1:00 to 4:00 pm and weekdays by appointment.

https://www.sophiabeccuestudio.com/

Prairie-Style Home on Mission Street

Prairie-Style Home on Mission Street

Mission Street Home Echoes Midwestern Style

By: Betsy J. Green
 

Address: 21 East Mission Street

Originally Published in The Santa Barbara Independent

Link to original article here: https://www.independent.com/2021/02/25/prairie-style-home-on-mission-street/

Ours is a city dominated by Victorian, Craftsman, and Spanish Colonial Revival homes. We do, however, have some fine examples of additional styles more prevalent elsewhere in the country, and the American Foursquare, a type of “Prairie” style, is one. Frank Lloyd Wright is the most famous architect associated with this style, which is common in the Midwest. 

A Prairie-style home is usually characterized by a low-pitched hipped roof, shaped like a pyramid. Wide eaves emphasize the horizontal lines of the house. This architectural style is all about straight lines and angles — there are no curves or frilly details. 

The first owner of the home at 21 East Mission Street was from the Midwest, so his idea of the perfect home may have been influenced by the architecture there. This home’s Prairie-style angularity is echoed in the brick front walk, which is paved in a double basketweave pattern, and the Japanese shoji screens in the front windows.

A Young Couple Builds a Home

Courtesy of the Santa Barbara Historical Museum

The home was built about 1911 by Edward A. and Nellie Diehl. Edward was from Missouri and Nellie (Elizalda) had grown up in Santa Barbara. When they married in 1905, the local paper described Edward as “one of the city’s most promising young businessmen” and noted that Nellie was “a descendant of one of the oldest Spanish families in California.” They later had a son named Frederick, who is believed to be the one who carved the initials “FD” on a shingle at the back of the house.

Edward’s father, John Frederick Diehl, started a gourmet grocery store in 1891 when the family arrived here. Diehl’s Grocery was located at several different locations on State Street in the half century that it was in business. The store sold imported delicacies from Europe, as well as local produce, and was famous for its elaborate sidewalk displays. The store sold its own baked goods, homemade mayonnaise, and candy and had a soda fountain that served oyster cocktails! In 1905, the grocery’s ad in the local paper boasted that the store sold a “new health food — toasted corn flakes.” Both Edward and his brother William worked at the store.

In the late 1800s and early 1900s, before many families had automobiles, Diehl’s Grocery had its own horse-drawn delivery wagon. That wagon now belongs to the Santa Barbara Carriage and Western Art Museum. You may have seen this vehicle in Fiesta parades.

The Diehl family left Santa Barbara in the 1940s, and the home was occupied by several owners until 1965 when George and Shigeko Nishihara bought the home. George was a cabinetmaker and made the intricate shoji screens in the house. Members of that family have owned and lived in the home ever since. Brian and Vicki (Nishihara) Woolford have lived in the house since 2010. Vicki spent her formative years in the home before she settled in Hawai‘i for some 40 years, where she and Brian met.

Credit: Betsy J. Green

The backyard is a quiet, brick-carpeted oasis shaded by a coastal live oak that an arborist estimated to be 150 years old. A seasonal creek in the back provides water for the tree. Since the tree predates the house, the Diehls may have chosen this site because of the tree. 

What do the Woolfords like best about their home? The walkable location and the architectural diversity in the neighborhood, they told me.

Interesting Patterns Emerge

I was struck by the repeating patterns of the house and its occupants. Frank Lloyd Wright collected Japanese woodblock prints, and this ties in with the shoji screens in the front windows. The screens echo the brick pattern on the sidewalk. The Woolfords moved here from Hawai‘i, and in researching the Diehl family, I discovered that Edward Diehl and his brother William had both spent time in Hawai‘i in 1901.

Please do not disturb the residents of 21 East Mission Street.

Betsy J. Green is a Santa Barbara historian and author of Discovering the History of Your House and Your Neighborhood, Santa Monica Press, 2002.