Upcoming Exhibition – FARE TRADE by Patricia Houghton Clarke & Brett Leigh Dicks

Upcoming Exhibition - FARE TRADE by Patricia Houghton Clarke & Brett Leigh Dicks

March 22 – May 17, 2025

Opening Reception – Friday, March 21st from 5 – 7 p.m.

Artist Talk – Saturday, March 29th at 2 p.m.

The Architectural Foundation Gallery

La Super-Rica Taqueria, Santa Barbara (2015), 
by Patricia Houghton Clarke
Mira Lunch Bar, Wangara, Western Australia,
by Brett Leigh Dicks  
The Architectural Foundation of Santa Barbara is pleased to announce the opening of FARE TRADE, an exhibition of photographs of taquerias in Central California by Patricia Houghton Clarke and lunch bars in Western Australia by Brett Leigh Dicks.

An opening reception will be held at the Architectural Foundation of Santa Barbara on Friday, March 21st from 5 – 7 p.m. Drinks and appetizers will be provided, with a local taco truck on site serving tacos for purchase. Brett and Patricia will give an Artist Talk on Saturday, March 29, at 2 p.m. with Maria Salguero, a Senior Staff Attorney from the Immigrant Legal Defense Center. 10% of all art sales will be donated to the Immigrant Legal Defense Fund.

Photographers Clarke and Dicks have recently turned their reportorial lenses to vernacular architecture found on two different continents—taquerias in Central California and lunch bars in Western Australia.

The vivid colors and bold signage of these fast-food establishments situated on opposite sides of the equator are emblematic of how they similarly forge and fuel their communities.

Both are typically family-owned businesses that possess a dogged determination to withstand the corporate fast-food onslaught—an ethos that Clarke, who has lived and photographed in Santa Barbara for five decades, has long embraced:

“These are cherished places where one can find far more than basic nourishment. The sense of community and service, joyful music, bold decorations, and financially accessible meals expands our broader sensibility of not only what it means to feed oneself in America, but what it means to be an American.”

Dicks, a long-time resident of Santa Barbara, experienced a sense of dislocation after moving to Western Australia in 2019. He was attracted by the visual quirkiness and working-class vibe of the Lunch Bars there:

“Lunch Bars are uniquely Western Australia, mostly owned and operated by immigrants. In sustaining the working class, they offer hearty servings of tasty, filling food and community spirit in a state that has built itself on blue-collar values.”

In FARE TRADE Clarke and Dicks present examples of architecture that we may take for granted. The stark yet poetic compositions of each photographer ask us to look again and notice how the structure and character of each eatery is unique. Together, these photographers have created a compelling, cross cultural collection of images, each one brimming with vibrant hues and local flavor.

Patricia Houghton Clarke’s award-winning photography reflects her interest in culture, history, and human nature, and has been featured in exhibitions and publications in the U.S. and Europe. Her photographs of the 2007 Obama Presidential campaign and Election Night in Grant Park are included in the Barack Obama Presidential Library collection and the Hanna Holborn Gray Special Collections Research Center at the University of Chicago.

Brett Leigh Dicks is an American/Australian photographer whose work explores society’s sociopolitical impact on the landscape. His photography has been widely exhibited in Australia, Europe, and the United States and is included within the collections of major libraries, galleries, and museums around the world. He currently resides in Fremantle, Western Australia. Brett’s participation is supported by the Western Australian Department of Local Government, Sport and Cultural Industries.
 
The Architectural Foundation of Santa Barbara (AFSB) seeks to promote quality in architecture, art, and design by fostering an understanding of excellence in the urban environment. AFSB offers diverse programs serving Santa Barbara County that provide educational opportunities for the community with participation from local architects and design professionals. Learn more at afsb.org.

Current Exhibition – COUPLETS by Slingshot Studio Artists

Upcoming Exhibition - COUPLETS by Slingshot Studio Artists

January 11 – March 8, 2025

Opening Reception – Saturday, January 11th from 1 – 3 p.m.

Curator’s Walkthrough – Saturday, February 8th at 2 p.m.

The Architectural Foundation Gallery

Alligator Fish (2015), by Michelle Oliner. 

Foam print with colored pencil on paper.

Altered Woman (2015), by James Jasper.  

Print with colored pencil on paper.

Robot Box (2022), by Tom Neumeyer.  

Glazed ceramic sculpture.

The Architectural Foundation of Santa Barbara is pleased to announce the opening of COUPLETS, an exhibition featuring the work of Slingshot / Alpha Art Studio artists Michelle Oliner, James Jasper, and Tom Neumeyer. Slingshot is a progressive arts center that supports the creative practice and professional visibility of artists with intellectual and developmental disabilities (IDD) in Santa Barbara County. COUPLETS presents work from each of these artists across different media – printmaking, drawing, embroidery, and ceramics. An opening reception for the public will be held at the Architectural Foundation of Santa Barbara on Saturday January 11, from 1 – 3 pm. All are welcome.

Slingshot’s Gallery Director, Jessica Schlobohm, curated the exhibition. She will present an informal tour of the exhibition and an introduction to the studio’s progressive practices, on February 8th at 2 pm.

COUPLETS takes inspiration from several different series of prints produced by Michelle Oliner during the past decade. These prints are created by drawing on a foam plate with a dulled instrument such as a pencil, pen, or sharpened dowel. After printing the plates, typically in black, she adds a colored pencil overlay to each successive print, creating a novel version.

The prints are presented as mated pairs to highlight the rhythm and meter of their relationships. The dynamics can be jarring, like a non-sequitur, but the totality is expressive and expansive, as the asymmetry invites a closer look and prolonged reflection.

James Jasper’s works on paper introduce another aspect to this discourse. His process is methodical but economical as he completes each composition in a single sitting, rendering his abstract portraits in permanent pen or thick, indelible charcoal, without hesitation. His meditations produce multiples (or series) that are linked through their shared referent – the image, subject, or themes his drawings point to in the world.

Jasper’s embroideries remain more mysterious as their designs seem to emerge from his memory, or other non-representational musings. Created sporadically over the course of many months, if not years, these works are defined by concentric rings of linear stitches and colorful patches of dense texture reminiscent of fields or farmland, seen from above.

Sharing these contemplative tones, Tom Neumeyer’s ceramic vessels belong to a more open-ended series. His strong glyphic markings mimic and dissect their ceramic shapes with deeply inscribed lines and grids that contain hidden figures, cryptic messages, and tessellating geometry. This visual theme is continually revisited throughout his practice in different media, providing a window into a complex world that is intricate and highly organized.

In its entirety, the exhibition presents the successive and repeated gestures of these artists’ sustained attentions. Their iterative approach reminds us of the unresolved nature of artistic practice and time. Actions or moments are strung together and made continuous even when asynchronous or lacking agreement.

Michelle Oliner, James Jasper, and Tom Neumeyer have been artists at Slingshot since the studio’s inception in 2013. During the 1990s, each made their way to the programs of the Alpha Resource Center (Alpha) where their individual artistic aptitudes were noticed and encouraged. Over the past decade at Slingshot, all three artists have developed their creative interests and individual practices with more focused attention.

The Architectural Foundation of Santa Barbara office and gallery are based in the historic Acheson House at the corner of Garden and East Victoria Streets in Santa Barbara. Gallery hours are Saturdays from 1:00 to 4:00 p.m. and by appointment.

10/19 Exhibition Artist Walk-through – ABSTRACTED by Carolyn Hubbs

Artist Walk-through of ABSTRACTED by Carolyn Hubbs

Saturday, October 19th, 2024 at 2:00 pm

The Architectural Foundation Gallery

The Architectural Foundation of Santa Barbara is pleased to present an informal artist walk-through with Carolyn Hubbs on her exhibition ABSTRACTED, a series of abstract paintings based on plein air sketching in the Santa Barbara environs.

Join Carolyn Hubbs for a stroll around the gallery as she discusses the pieces in her exhibition. 

Reservations are recommended but not required: (805) 965-6307 or lydia@nullafsb.org

The Architectural Foundation Gallery is located at 229 East Victoria Street, in Santa Barbara at the corner of Victoria and Garden Streets. Gallery hours are Saturdays from 1:00 to 4:00 p.m. and by appointment.

Click here for the Santa Barbara Independent article written by Tia Trinh.

Click here for the article in The Voice, written by Isaac Hernández de Lipa. 
 
Click here for Carolyn’s radio interview with Elizabeth Stewart. 
 

Top Image Shown:

Tree Creating Itself
Acrylic on Board 
10″ x 10″

 

Exhibition Artist Walk-through – ABSTRACTED by Carolyn Hubbs

Artist Walk-through of ABSTRACTED by Carolyn Hubbs

Saturday, September 28, 2024 at 2:00 pm

The Architectural Foundation Gallery

The Architectural Foundation of Santa Barbara is pleased to present an informal artist walk-through with Carolyn Hubbs on her exhibition ABSTRACTED, a series of abstract paintings based on plein air sketching in the Santa Barbara environs.

Join Carolyn Hubbs for a stroll around the gallery as she discusses the pieces in her exhibition. 

Reservations are recommended but not required: (805) 965-6307 or lydia@nullafsb.org

The Architectural Foundation Gallery is located at 229 East Victoria Street, in Santa Barbara at the corner of Victoria and Garden Streets. Gallery hours are Saturdays from 1:00 to 4:00 p.m. and by appointment.

Click here for the Santa Barbara Independent article written by Tia Trinh.

Click here for the article in The Voice, written by Isaac Hernández de Lipa. 
 

Top Image Shown:

Tree Creating Itself
Acrylic on Board 
10″ x 10″

 

Exhibition – ABSTRACTED by Carolyn Hubbs

Past Exhibition - ABSTRACTED by Carolyn Hubbs

September 7 – November 2, 2024

Opening Reception – Friday September 6, 2024 5 – 7 p.m.

The Architectural Foundation Gallery

Press:

Listen to Carolyn’s radio interview with Elizabeth Stewart here.

Read Josef Woodard’s article in The Independent here

Read Isaac Hernández de Lipa’s article in The Voice here

The Architectural Foundation of Santa Barbara is pleased to announce the opening of ABSTRACTED, an exhibition of abstract paintings based on plein air sketching in the Santa Barbara environs.

An opening reception will be held at the Architectural Foundation of Santa Barbara on September 6th from 5-7 pm.

Carolyn Hubbs will give an informal walk-through of her exhibition on September 28th and on October 19th at 2 pm.

In her first solo show in Santa Barbara, Carolyn Hubbs presents vibrant abstract paintings in acrylic—jazzy compositions that evolve from her sketches of favorite locations in and around Santa Barbara. Her drawings simplify and reconstruct the natural spaces she observes outdoors. In the studio she transforms them into playful, complex rearrangements of shapes, colors and rhythms that move in and out of the picture plane. The exhibition includes several of Hubbs’ field sketches and corresponding paintings.
 
“Outdoors, I look for the strongest element (rhythm, color, line, shape) in the ‘scene’ that catches my interest and then develop everything else around it. Back in the studio I study my notes and then start to make a painting by rearranging everything and playing with the interactions of colors and rhythms. I like to use disruptions and disjunctions to give the whole picture movement. The picture is complete when, finally giving into the poetics of the unpredictable, I have built a whole new image that resonates with me. Sometimes they look totally abstract; sometimes more like landscape!”
 
Hubbs graduated from Mills College with a B. A. in art history and studies in photography and printmaking. Later, she studied at U.C.L.A. Extension School with Charles Garabedian. Her eclectic influences include jazz pianist Bill Evans, the 15th c. artist Sassetta, Stuart Davis, and Ellsworth Kelly as well as artist/teachers Colin Fraser Gray and Rick Stich. She has exhibited internationally, in Los Angeles, at the Elverhoj Museum in Solvang, and at Sullivan Goss Gallery in Santa Barbara.

The Architectural Foundation of Santa Barbara office and gallery are based in the historic Acheson House at the corner of Garden and East Victoria Streets in Santa Barbara. Gallery hours are Saturdays from 1:00 to 4:00 p.m. and by appointment.

Top Image Shown:

Tree Creating Itself
Acrylic on Board 
10″ x 10″

Bottom Image Shown:

Tide Lines
Acrylic on Board 
10″ x 10″

Exhibition – TIMELY by Joan Rosenberg-Dent and Caroline Kapp

Past Exhibition - TIMELY by Joan Rosenberg-Dent and Caroline Kapp

June 1- August 24, 2024

Opening Reception Friday May 31, 2024 5 – 7 p.m.

The Architectural Foundation Gallery

The Architectural Foundation of Santa Barbara is pleased to announce the opening of TIMELY, an exhibition of porcelain, mixed media and photography by Joan Rosenberg-Dent and Caroline Kapp. An opening reception will be held at the Architectural Foundation of Santa Barbara on Friday, May 31, from 5-7 pm. 

The porcelain sculpture of Joan Rosenberg-Dent and the experimental photographs and drawings of Caroline Kapp reflect and correspond with each other in remarkable ways. These artists first met by chance at the Channing Peake Gallery while picking up their work from a previous exhibition. Arriving at the same time in the Gallery, they observed their work hanging side by side and were struck by the strong visual resonances. After exchanging emails, then studio visits, over time they began to shape the idea of a two-person, collaborative exhibition.

“We found conceptual and visual similarities in our past creative works, as well as in our current themes. We were each independently exploring new work related to the concept of time: how time shapes our lives; how we shape the time in our lives; how time can leave visible marks on us and our surroundings. We asked the question: if our past work displays such an uncanny connection, what might future collaborations look like?”

Joan Rosenberg-Dent received her Master of Fine Arts degree at Cranbrook Academy of Art. She has taught at many universities including Pennsylvania State University, University of Michigan, and was Chair person of Ceramics and Glass at Ohio University. She currently serves on the Dean’s Advisory Council, School of Art and Design, at the University of Michigan. Her work is in several permanent museum collections.

Caroline Kapp is a visual artist known for her quietly surreal photographic compositions that combine experimental and digital processes. She studied at Cornish College of the Arts (BFA, Visual Arts) and the University of Washington (MFA, Photomedia). She has exhibited photography and video work nationally and internationally and has been selected as resident fellow at several institutions.

The Architectural Foundation of Santa Barbara office and gallery are based in the historic Acheson House at the corner of Garden and East Victoria Streets in Santa Barbara. Gallery hours are Saturdays from 1:00 to 4:00 p.m. and by appointment.

Top Image Shown:

Caroline Kapp
Detail from Ellipse No. 2
Archival inkjet print
2018

Bottom Image Shown:

Joan Rosenberg-Dent
Birth / Infinity
Porcelain
2024

Exhibition – HOLE IN THE WALL by Michael Long

Architectural Foundation of Santa Barbara Gallery

July 19 – September 12, 2019

Opening Reception: Friday, July 19, 5-7 pm

 

The Architectural Foundation of Santa Barbara is pleased to announce the opening of Hole in the Wall, an exhibition of assemblage works by Michael Long. A reception will be held at The Architectural Foundation of Santa Barbara on Friday, July 19 from 5-7pm. All are welcome.

Hole in the Wall is a capsulized study into unnoticed aspects of the physical world as well as the dark corners of Michael Long’s mind. Blending aspects of real, typically local, architecture with images from his imagination, Long creates unique assemblage boxes that emit a preternatural vibe. He draws from the twin wellsprings of his recurring childhood dreams, nightmares, and memories and his careful observations of actual buildings in Santa Barbara. These small, precisely constructed works are eerie reminders of forgotten spaces – both interior and exterior – surreal architectural fragments that evoke curiosity and a myriad of associations and feelings in viewers.

Color Notes by Jimmy Miracle

painting of a woman on the beach

March 12 – May 9, 2019

The Architectural Foundation of Santa Barbara is pleased to announce the opening of Color Notes, an exhibition of oil paintings by Jimmy Miracle. A reception will be held at The Architectural Foundation of Santa Barbara on Friday, March 15 from 5-7pm. All are welcome.

Color Notes highlights Miracle’s everyday wanderings around his neighborhood in Goleta and his fresh eye for color. Seeking neither picturesque nor unsightly subjects, Miracle freely paints his immediate surroundings with an open mind—landscapes, parking lots, isolated figures, and interiors. He paints from both memory and observation with an immediacy and vitality of color. These small, intimate paintings are a celebration of the senses. They represent commonplace encounters imbued with human experience and perception. They all eschew the technological filters so often used today and instead rely on the first-hand experience of places and people. Miracle continually experiments in search of fresh, vital, visual approaches within the contemporary artistic dialogue. His recent oil paintings in Color Notes highlight a little-known aspect of his unique artistic career.

After receiving a B.A. in studio art from Belhaven College (Jackson, MS), Miracle spent ten years working and exhibiting his paintings and installation art in New York City, Washington, DC, and Germany. A recent graduate of UCSB’s MFA program, Miracle is currently a Teaching Fellow at the University. As a recipient of a “Humanities in the Community” grant from the Interdisciplinary Humanities Center (UCSB), he is co-creating and exhibiting with artists who experience mental illness.

An oil painting workshop will be led by the artist on Saturday, April 27, 2019 from 1-3pm (Cost: $30) at the AFSB Gallery. To purchase a ticket, please visit the Architectural Foundation’s website.

painting of a woman on the beach