Hollywood Hauntings at the Bern Harlow House In Beverly Hills

The chilling deaths of two of Hollywood’s power couples connected by one house...

Howard Hughes helped the young starlet Jean Harlow shoot to fame in Hollywood in the 1930s. He hired her to be the star of Hell’s Angels that was being converted to a talking picture. 

Harlow quickly became Hollywood’s original “Blonde Bombshell.” On film, she eluded a smooth, sexy attitude.

Jean, who never dated her fellow actors, shocked the Hollywood community when she became romantically involved with Paul Bern, an MGM executive. Bern was short, slight of build and 22 years her senior.

Paul Bern and Jean Harlow, in several accounts of their courtship it is stated that Harlow pursued Bern and not the other way around.

The couple married in 1932. Rumors began to spread that their relationship was a tumultuous one.

 

Just four months after their marriage, Bern alone at the house that he had given to Harlow as a wedding present, was found dead by the butler. Jean had stayed overnight at her mother’s house.

Bern’s body was found nude and lying on the floor dead from a bullet wound. He had bled all over Jean’s white bedroom. His body was drenched in Harlow’s favorite perfume. A suicide note was found in the bedroom.

Later one employee, Davis the gardener stated it was not Bern’s handwriting. Bern’s secretary, Mrs. Harrison, said she felt it was a murder. There was also a female bathing suit and two wine glasses left with a blood spot at the edge of the swimming pool–so it appeared Bern had entertained someone at the home after he had sent Jean to stay with her mother a second time in just two days.

Curiously, Harlow was not called to testify at the inquest into Bern’s death. Right after the murder, the police were told she was “too hysterical” to undergo questioning. Several accounts state Harlow supposedly tried to commit suicide after she heard the news. The butler after discovering the body actually called MGM before the police, so the studio execs Louis B. Mayer and Irving Thalberg arrived first to the scene. At one point Mayer even took the suicide note–in an attempt to protect Harlow, but the man in charge of the studio’s public relations, Howard Strickling convinced him to turn it over to the police.

Quickly, rumors spread that Bern had not committed suicide but had actually been murdered by his unstable ex-girlfriend, Dorothy Millette, who he still supported financially. She committed suicide after his death. Was it a suicide, or was it murder? This remains a mystery.

Tragically, Harlow died just 5 years after Bern’s death in 1937 at the age of 26 from uremic poisoning. Rumors after stated that Bern had beaten her and injured her kidney causing it to fail five years later.Subsequent owners of the Bern-Harlow house all have felt the ghosts of both Bern and Harlow haunt the place. In one well know sighting Sharon Tate saw what she believed to be the ghost of Paul Bern. A struggling actress at the time, Tate was dating a Hollywood hairdresser, Jay Sebring.Sebring had bought the Bern Harlow house in the mid-1960s. He was the real-life character that Warren Beatty’s character was based upon in the film Shampoo. Tate staying in Harlow’s old bedroom awoke to see the apparition of Paul Bern. He was not aware of her and instead wandered around the room apparently in search of something. She quickly left the room. As she walked down the stairs, she stopped halfway down. She was shocked to see Sebrings’ apparition now tied to the stair rail. He was bleeding from several slashes to his throat and appeared to be struggling to stay alive. After this, when Tate and Sebring were murdered by Charles Mansion’s followers in 1969, many stated that Tate’s sighting was a premonition–a warning of what was to come–because when the murdered Sebring was found he was tied to a stair rail.

The Bern Harlow house still stands. It is located at 9820 Eastern Drive in Benedict Canyon, Beverly Hills.

The Dark and Mysterious Past of the L.A Cecil Hotel

Check in at your own risk at 604 Main St.

More cursed than haunted, downtown L.A.’s Hotel Cecil (604 Main St) got such a bad rap that it actually changed its name to Stay on Main. So many bad things have happened here—there’s literally an entire Wikipedia page dedicated to its violent history. The first recorded death by suicide is in 1931, followed by a long string of similar deaths in 1932, 1934, 1937, 1938, 1939, and 1940.

At some point in the ’30s, one man was pinned to the exterior wall by a truck. A woman murdered her newborn in the building in 1944, and the pattern of suicides continued into the ’60s. In 1962, a woman jumped from the ninth floor window and landed on a pedestrian, killing them both. It’s worth noting that two of the women who died by suicide apparently jumped while their husbands were asleep in the room.

In 1964, tenant Goldie Osgood was brutally murdered, a crime which has remained unsolved. Next, in the ’80s, the infamous serial kill Richard Ramirez (the “Night Stalker”) stayed at the hotel and in the 1990s, Austrian serial killer Jack Unterwege lived there. Other weird things kept happening but the weirdest is definitely the disappearance and death of 21-year-old traveler Elisa Lam.

A few weeks after Lam went missing, her body was discovered in the rooftop water tank after visitors and tenants complained about a funky taste. They later found odd footage of her in the elevator from the night of her disappearance. It’s difficult to make out what she’s doing; it looks like she’s either playing hide-and-seek with someone outside the elevator, or she’s frightened and attempting to hide from someone but the doors won’t seem to shut. Authorities ruled the death accidental drowning—but because you need a key to access the roof, many suspect foul play.

The 1987 U2 performance, with the hotel featured as a backdrop, was filmed and commercially released as a music video for the release of the band’s song “Where the Streets Have No Name”.

The hotel is also known as the inspiration for the Coen Brothers 1991 film, Barton Fink.

It was also the inspiration for American Horror Story season 5, “Hotel”.

It was the setting for the The NoSleep Podcast season 3 episode, “The Cecil Hotel”.

The hotel can be seen in the background of Blink 182’s video “The Rock Show”.

We’ve checked it out, and all survived.

ARCHITECTURALLY MACABRE

The dark histories behind these architectural gems are as spooky as they are beautiful… Take a tour with me as I explore stunning structures and spooky locations to discover why visitors to these haunts never want to leave – even after death.

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Fault Lines: Homeless Art and Public People

Final two phases of 1925 sculpture and possessions of a homeless person

Like the earth, the bedrock of society is not as stable as we perceive it to be, and unforeseen events can lead to the raising of the structures we have built for ourselves, whether they are physical or social. There are fissures in our social system in the form of absent social services and safety nets.

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Lutah Maria Riggs Comes Alive – SOLD OUT!

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Architectural Foundation of Santa Barbara and DramaDogs

Present a staging of Terre Ouwehand’s Lutah Maria Riggs monologue

performed by E. Bonnie Lewis

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Followed by a reception and discussion with DramaDogs and the author.

Saturday, September 29, 2018, 5:00 – 7:00 PM

Architectural Foundation of Santa Barbara

FREE. RSVP Required.

Facebook Event HERE.

Madeline Garrett: Industrial Strength


Architectural Foundation of Santa Barbara Gallery

October 3 – November 16, 2017

Industrial Strength connotes “extremely powerful, intense, durable, more concentrated than the standard brand.” In Garrett’s recent work, protests and prayers are woven into multiple layers of hand-painted papers. They also include stenciling, reduction techniques, and torn images from her archive, 30 years in the making, of street photography focused on chaotic urban environments. Demolished walls, raw graffiti, and gritty patterns all make their way into Industrial Strength.

A professional artist for 25 years, Garrett has a degree in Sociology from Eastern University in St Davids, PA. She has traveled and studied art across the country: oil and cold wax techniques in Wisconsin and Ghost Ranch, NM; encaustics and monotype printing in Santa Fe, NM; and painting at The Art Institute of Chicago, thanks to a merit scholarship. Garrett is represented by galleries in Vail and Santa Barbara and has collectors across the country. She paints full-time and teaches workshops in Santa Barbara, CA. For more information please visit www.mgarrettstudio.com.

The AFSB Gallery is located in the historic Acheson House at the corner of Garden and East Victoria Streets in Santa Barbara. Regular gallery hours are Saturdays from 1:00 to 4:00 pm and by appointment (please contact the Executive Director at 805-965-6307).

Exhibition – INTO NOTHING: New Paintings in Ash and Oil by Tom Pazderka

February 15 to March 23, 2017

Into Nothing by Tom Pazderka is a momentary foray into the darker side. The darker side is to be understood not as something necessarily evil for its own sake, but ‘the’ something as an obverse of light.  In the truest sense of the nature of humans and nature itself, one cannot have light without the dark, positive without its negative aspects.  The potential in fire as the ultimate destructive force hides within it its polar opposite – that of the regenerative potential of what is left behind.  In creating a void, fire nonetheless immediately fills the space upon which it acted.  As Gaston Bachelard observed, “It shines in Paradise. It burns in Hell.” Fire is therefore ‘the’ conflicting force about which, to this day, we know very little. It is both good and evil.  Pazderka negotiates the subject of fire via depictions of local wildfire smoke, clouds and portraits of in/famous philosophers, artists and cabin dwellers, painted and drawn into burned wooden substrates treated with ashes and charcoal.  Ghostly images emerge, subtle and soft, yet quietly disturbing at the same time.

Tom Pazderka is an interdisciplinary installation artist, painter, sculptor, teacher and writer. He holds an MFA from the University of California Santa Barbara where he was a Regents Fellow and is currently the Artist in Residence for the 2016/2017 academic year. He is a lecturer of art at Allan Hancock College in Santa Maria, CA. Half Czech and half American, the son of working class immigrants, he moved to the US at the age of 12 shortly after the collapse of the Eastern Bloc. His works have been exhibited at UCSB’s AD&A Museum, Asheville Art Museum and Cameron Art Museum in NC, Parasol Projects, NYC, Trafo Gallery in Prague, and Pink Dog Creative and the Push Gallery in Asheville, NC.  The recipient of numerous awards including the Howard Fenton Award for Painting, residencies, his works have been reviewed and profiled in many publications including New American Paintings and Daily Serving.